You have entered an incorrect email address! | Like Abigail, the character she plays in The Lucky Ones, Ms. Bengson grew up in an extended hippie family that revolved around a school. March 16, 2022, By The Bengsons display the pleasures, joys and the emotional tolls of the events of the past year and how they managed to cultivate and hold onto happiness even during these dark, difficult times. The show smoothly segues from the informality of a tale told in a concert setting to more fully staged scenes. By This is a true story, Shaun Bengson tells the audience from the stage of the Connelly Theater in the East Village. The first two months of performances take place with social distancing. By would be just as splendid live, but the ability to capture its creation in real time where it happened amid moving music that seems to pour forth simultaneously adds a much deeper impact. The one-day-only event, starring Olivier nominees Rachel Tucker and Rachel John, played the West End October 11 following a digital production earlier this summer. Part co-authored memoir and part touching voyage into an emotional soundscape, this new work in development is a beautiful testament to the sort of inquires made in tandem by the human mind and spirit. More than a dozen shows are part of the promotion, including Hamilton, Hadestown, and more. | They have appeared at venues across the country and around the world. To their amusingly and typically chaotic pandemic era home - with instruments, toys, food, books and art strewn all about - they quietly deal with chronic pain (hers) and depression (his). Yet the acceptability of drawing bystanders into ones own art is one of the great ethical debates in any kind of autobiography. What did our critic think of OPEN at Nu Sass? The one-day-only event, starring Olivier nominees Rachel Tucker and Rachel John, arrives to the West End October 11 following a digital production earlier this summer. Part of it was a wish to examine how to go about making a family thoughtfully, unconventionally, as their own parents did even while aware of the unintended harm that parents can cause children in the process. A while later, this cameo struck Ms. Bengson as curious. The piece is based on the couple's real-life story of how they got together and fell in love. September 13, 2021. Leah Putnam A Childhood Eden Seared by Violence. Abigail and Shaun Bengson are a married composing and performing duo based in NYC and VT who have performed across the country and around the world. They have received the Jonathan Larson and Richard Rodgers Awards and nominations for the Drama Desk, Drama League, and Lucille. Abigail Bengson in Hundred Days In Hundred Days, real-life married couple Abigail and Shaun. September 22, 2020. I love you so much!. https://www.nytimes.com/2018/04/06/theater/bengsons-the-lucky-ones-ars-nova.html, Abigail and Shaun Bengson, a married pair of singer-songwriters whove turned their personal stories into theater, most recently in The Lucky Ones.. Andrew Gans Theres a line near the start of the new musical The Lucky Ones thats a deliberate hedge an explanation of the rules of the show that also leaves those rules a little murky. })(); Abigail and Shaun Bengson are a married composing and performing duo based in NYC and VT who have performed across the country and around the world. paragraph.style.position = 'absolute'; So The Lucky Ones is wounded autobiography veiled in fiction. The task, I think, of storytelling, she said, is the reintegration of the dark and the light going back and saying, Yes, this darkness is here and its true. And, There was light on us once, and there will be again.. (function () { The album, which features the cast of the NYTW production, will be released September 21. March 12, 2022, By "My Joy is Heavy!" Roger Catlin, a member of the American Theatre Critics Association,is a Washington D.C.-based arts writer whose work appears regularly in SmithsonianMagazine.com. In the new show, an extended family runs a school together, raising their children Abigail, her sisters and their cousins in a kind of hippie idyll. March 15, 2022, By | I wonder if she really wanted to give me eggs, or if she just wanted to make sure I was O.K.. | But seemingly off-the-cuff stage patter in the beginning later becomes needed background for plot points in the play. May 10, 2021. document.head.appendChild(styleElement); The front-line team has provided COVID compliance safety for 1.8 million audience members seeing more than 30 shows on Broadway and beyond. // Create a new style element They begin awkwardly and self-consciously, as if reluctant to commit even to performing. As a subscriber, you have 10 gift articles to give each month. I recognize its a little codependent.. April 14, 2022, By This. Their theater work includes Sovereignty Hymns (La Jolla Playhouse), The Keep Going Song (Actors Theatre of Louisville), My Joy is Heavy (Arena Stage), Hundred Days (La Jolla Playhouse, New York Theatre Workshop, US Tour), The Lucky Ones (Ars Nova), Where the Mountain Meets the Sea (ATLs Humana Festival; Manhattan Theatre Club), Anything That Gives Off Light (Edinburgh Theatre Festival), Youll Still Call Me By Name (New York Live Arts, Jacob's Pillow), and Iphigenia in Aulis (Classic Stage Company). The production opened on Wednesday, November 2, and will conclude as scheduled this Sunday, November 27. | Then I got pregnant, so we started to feel our way into that being part of the piece. CREDITS Created by and featuring the music of: Abigail & Shaun Bengson Director: Anne Kauffman Book by: Kate E. Ryan Producer (Z Space): Lisa Steindler At other times, particularly toward the end, the Bengsons fully embody the roles of Will and Sarah, bringing the whole emotional impact of their musical performance, presence and obvious chemistry into the bittersweet tale of this other, fictional couple. Natan Zamansky When not writing, Keith can be found playing with his daughters, Jordan and Cassidy. The production, directed by Anne Kauffman, premieres December 4 after beginning previews November 15. Its possible that we have all been raised in a way that hurt us, Abigail says in the show. I dont know. Dan Meyer | Our memoir pieces need to reflect whats going on in our own hearts and bodies as we process the world, Abigail said. Website by, The Bengsons create new indie-folk musical for Arena Stage, A global community celebrates Passover with The Third Seder concert on Sunday, Washington Stage Guild revives Shaws Devils Disciple with simplicity and skill, Getting to know Elizabeth Dinkova: I like creating a brave space, When I like a play, I get obsessed: Karin Rosnizeck on The Body of a Woman as a Battlefield, I Was Looking at the Ceiling and Then I Saw the Sky remains sharply poignant, Calendar: Play Readings, Workshops, and Theater Events in the DMV, Rorschach Theatre announces free staged readings of three new plays, Keegans Boiler Room Series announces seven new play workshops, 2023 Womens Storytelling Festival to feature 27 performers, Brett Widmann, Chicago WordPress Developer. Dan Meyer But its what Im trying to do., One of my sisters, she said, Dont let your fear get in the way of the truth of this, Ms. Bengson added. Abigail once served as a background singer for Tune-Yards, but her expressive warmth is also memorable from her role in HBO's "High Maintenance" a year ago, as Kim, the intimacy coordinator who meets an asexual magician. | But their self-portrait of a show, which was written in collaboration with Ms. Gancher, spends most of its time in the light-devouring shadows of doubt. Yet she is terrified of compounding. Sign up for reopening news, announcements, and exclusive discounts on tickets to your favorite shows! Bursts of banter lead into . Hundred Days now takes place entirely in New York City (mostly in Astoria, Queens), with lots of internal detours into the twisty corridors of each partners mind. We wrote our first song together on that first night, Abigal said. At first, we were thinking about one thingliving with chronic pain and mental illness, and how that affects the ability to cultivate pleasure and joy. All this is supposedly taking place in the 1940s, but the period setting never becomes important or even discernible, and of course it has no bearing on the musical style. The production began previews at London's Theatre Royal Drury Lane in August. Sonya Tayeh, currently Tony-nominated for Moulin Rouge!, serves as movement director. Logan Culwell-Block Dan Meyer Check out Samantha Barks, Stephanie McKeon and more in costume. Dan Meyer But those three weeks in between meeting and tying the knot, the pair told NBC 7 San Diego, was the start of something beautiful: a project that would later be titled "Hundred Days," a theatrical piece on the border between a live concert and musical experience. May 26, 2021. // Append the CSS rule to the style element As you may gather from the fact that they are now married and performing together, the Bengsons got over their crisis of faith long enough to commit to a relationship that, life being what it is, will never be a sure thing. There'd be much more unplugging to be done today. October 15, 2020. First he attended college at Indiana University (studied Ethnomusicology & Traditional Indiana Fiddling), then after graduation Shaun moved to New York City as a part of the city's teaching fellows program. Mr. and Ms. Bengson, known for their eloquent musical contributions to downtown New York theater pieces, are one of those rare couples who really did fall in love at first sight (at a massive anti-folk folk-punk old-timey neo soul band rehearsal). February 3, 2022, By Andrew Gans Now, they invite the public to participate in a hybrid congregation., In our new work, the idea is that loss is the mechanism by which God comes close, says Abigail Bengson. Presented by Z Space and piece by piece productions with Encore Theatre Company, the show is conceived and created by married couple Abigail and Shaun Bengson, who double as a band called. The shift in focus from outside to inside clarifies and intensifies what was already an affecting piece. The long-running favorite returns to the Orpheum Theatre. Performed from San Francisco to New York to La Jolla to Florida, it got raves, awards and a cast album. The musical, starring Caroline Bowman and Caroline Innerbichler, plays Sheas Buffalo Theatre through September 24. A look at an Equity-approved musical, an immersive experiment, and an amateur teen show. By The 74th annual ceremony will air in two parts across Paramount+ and CBS. This field is for validation purposes and should be left unchanged. The stage managers are Amanda Spooner and Christopher Kee Anaya-Gorman. The family saga, starring Adrian Lester, Simon Russell Beale, and Adam Godley, plays the Nederlander Theatre. The Harold Pinter classic opens October 21 as part of the theatre companys Welcome Back season. Logan Culwell-Block More upcoming/ in development: Ohio (piece by piece productions). Over the past few weeks, the folk-rock/theatre-making duo and a team of collaborators have been experimenting at the Brooklyn venue on the development of their new work. and AARP the Magazine. The Broken Ear Setlist: Songs from Ohio features performances by artists including Barrie Lobo McLain, Vuyo Sotashe, and Allan K. Washington. By sleeknoteScriptTag.type = 'text/javascript'; September 10, 2021. In 2001 he began to explore beyond the Miami Valley. Andrew Gans Both Broderick and Sarah Jessica Parker have been fighting cases of COVID, which put the Neil Simon revival on hiatus. window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'AW-10891449219'); Anne Kauffman and Caitlin Sullivan direct. | And saying, 'yes the world is a terrifying place, yes we don't know how long we'll have with the ones we love, but I'm going to live anyway and I'm going to keep moving forward and let my heart be open and let my heart break as it will.'". Thats true even when you change names and details, and create what Mr. Bengson called the novel-myth version of the story. Colette Alexander, Abigail Bengson, Shaun Bengson, Jo Lampert, Dani Markham, and Reggie D. White, By | My Joy Is Heavy! Can they make it through the term without the worry? INTO THE WOODS & More Lead 2023 Drama League Award Nominations. Post was not sent - check your email addresses! The musical, starring Katrina Lenk and Patti LuPone, was originally slated to open March 22, 2020composer Stephen Sondheims 90th birthday. It wouldn't affect what would happen one way or another, and it may be healthier in the long run. comes from the first rate married couple and musical duo The Bengsons, who have previously channeled their exuberant, personal music through theatrical performances. Shaun's fast and folky acoustic-guitar strumming and Abigail's delightful alt-rock vocals establish a beautifully resonant intimacy and then swell into a magnificent full-ensemble sound with the drums thundering and the ensemble singing in transcendent unison. var s = document.getElementById('sleeknoteScript'); Its title song captured and likely inspired 4 million viewers on YouTube, and maybe just nudged Smith to tap The Bengsons to create something for the series they're calling Arena Riffs. In Hundred Days, real-life married couple Abigail and Shaun Bengson (the duo behind Ars Nova's The Lucky Ones) detail the story of how they . It was from Robert Fleming, a gay Black man who is executive artistic director of Actors Theatre in . The Andrew Lloyd Webber musical also features Rhys Whitfield as Raoul. Dan Meyer | | The blessed news comes with some worry; they've suffered a miscarriage once before and had complications with the birth of their son. | Up Close & Sweaty with Haus of Sequins, Nightbeast & Kiml, Vienna Light Orchestra Presents: A Tribute to Broadway & The Greatest Showman, The Map for Healing & Recovery Orientation & Sign Up, Darke County Food Truck Rally & Craft Show, Bridgerton Inspired Friends Chai Tea Party. By They also star in the show, with a full band and chorus who take on roles in the story as needed, and they deliver the songs with such quirky exuberance that it's impossible to resist following wherever they want to take the narrative (with a smart book by Kate E. Ryan). Visually, the piece is as bright as The Bengsons' surroundings (and outlook). September 8, 2021. Please consider supporting us bywhitelisting playbill.com with your ad blocker.Thank you! By Ars Nova, which also co-produced Sundown, Yellow Moon, a Rachel Bonds play with music by the Bengsons, has an estimable record with nontraditional musicals that includes birthing Natasha, Pierre & the Great Comet of 1812. It was the company that matched Ms. Gancher with the Bengsons several years ago. Ryan McPhee, For a musical that's so much about creating memories to last and evoke a lifetime, Hundred Days succeeds brilliantly in etching its eloquent lines and infectious melodies indelibly on the brain.
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